JEZABEL IA
Carincur, Gonçalo Guiomar, João Pedro Fonseca
This videoart / performance / installation explores a post-humanist narrative where meta-humans are self-sufficient yet retain human complexities. The title draws from fireworks, symbolizing diverse intentions in communication but sharing an ephemeral nature.
Currently, the "ghost" has become an increasingly appropriate metaphor for the way marginalized populations "haunt" everyday life, living on the edge of visibility and inspiring a mixture of fear and indifference. New technologies have given rise to a ghostly entropy, manifesting through the internet, smartphones, and digitized media as more spectral beings, living without anchoring to distinct locations in time and space. "No More Fireworks" unfolds within a post-humanist fiction, envisioning a scenario where the meta-human is a self-poietic being, entirely self-sufficient, yet still carrying ideological, belief, and existential adversities that characterize their human condition. The title is based on fireworks as an operation with different intentions: entertainment, aid, or terror, all burning the skies in an attempt to communicate, whether in a passive or active tone; these phenomena equally share the same form - they are ephemeral appearances.
digital Nature; emotional codes; post-nature; xeno-voice; post-human voices; processed memory; polymorphic sound; transmutative artifacts; phantom hardware; haunted machines; cybernetic spiritualism; molecular faith; spectral movement
point cloud; artificial intelligence;
videoart; audiovidual installation; performance